Architectenbureau Paul de Ruiter
Post By:Kitticoon Poopong
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| Photo © Courtesy of Pieter Kers |
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| Photo © Courtesy of Pieter Kers |
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| Photo © Courtesy of Pieter Kers |
The design process started with a study of the programme for the cultural building. Paul de Ruiter's architectural bureau built various scale models that gave an indication of the different options for form and layout. With these models on the table, it was possible to hold brainstorming sessions during the workshops on what the building should look like and what functions it needed to fulfil. In view of the location of the cultural building in a park, a recognisable, pavilion-like building was chosen with a layout that could be adapted to the various requirements of the users.
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| Photo © Courtesy of Pieter Kers |
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| Photo © Courtesy of Pieter Kers |
The site of the cultural building is specified in the urban development plan. The building is located in the heart of the Bijlmer neighbourhood at the edge of the Bijlmer park, beside the lake. It is public and accessible, and its position beside the water gives extra dynamism to this image due to the reflections in the water. To make it possible for performances to be held on the water as well, for example on large floating platforms, steps that can be used for seating have been placed at the water's edge. When no performances are scheduled, the steps function as a meeting place, where cultures, generations and artistic disciplines meet each other.
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| Photo © Courtesy of Pieter Kers |
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| Photo © Courtesy of Pieter Kers |
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| Photo © Courtesy of Pieter Kers |
The cultural building consists of an ellipse shape, with the upper two floors slightly displaced in relation to the ground floor. This provides a covered entrance area located in a logical position in the urban development plan's routing.
The elliptical shape of the building did mean that it was necessary to search for a financially viable way of reproducing this rounded shape in the partially glass façade. The solution was found in a combination of wooden slats and vertical aluminium strips placed against the steel and glass sections of the facade. This means that the intersection points of the segmented façade are not visible and the building has a rounded, dynamic and somewhat abstract appearance that changes continually as you walk around it.
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| Photo © Courtesy of Pieter Kers |
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| Photo © Courtesy of Pieter Kers |
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| Photo © Courtesy of Pieter Kers |
During the day, the striking shape of the cultural building makes it clearly recognisable, while it is conspicuous in the evening because of its colour, which can be altered to fit the occasion. This is made possible by the use of LED lighting. A line of light is fitted behind the steal façade in the façade, shining downwards. Because this light shines against the steel façade and the wooden slats, the building acquires an appearance of transparency, as if the light is coming from inside the building. The illumination of the building increases the level of safety and makes the cultural building clearly visible from the urban surroundings.
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| Photo © Courtesy of Pieter Kers |
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| Photo © Courtesy of Pieter Kers |
One requirement that was specifically identified during the workshops was the need for daylight in the main auditorium. Lessons and rehearsals would take place here during the day, and a good level of daylight access is very important for the atmosphere and sense of orientation.
In the theatres that were visited for the workshops, the users often commented on the lack of daylight, which although understandably kept out deliberately for performances, is still very desirable during the day. For this reason, a glass surround was created on the first floor all around the main auditorium. This solution not only allows a maximum capture of light, it also makes it possible for parents and others who may be interested to watch lessons and rehearsals unobtrusively. These windows can be darkened to keep out the light when performances are held.
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| Photo © Courtesy of Pieter Kers |
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| Photo © Courtesy of Pieter Kers |
During the workshops, the most time, relatively speaking, was spent on identifying the users' wishes in relation to the main auditorium. Circus Elleboog, for example, needed a space with a clear height of 7 metres for acrobatic, trapeze and juggling acts, while the preference of the other partners was for a theatre-style auditorium. A solution was found by designing a rectangular auditorium with two ear-shaped appendages beside the performing area - a circus/theatre auditorium with between 162 and 277 seats. These two rounded areas on the long sides of the main auditorium make it possible to use this in a range of circus configurations and theatre configurations, by making use of versatile wings and movable seating areas.
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| Photo © Courtesy of Pieter Kers |
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| Photo © Courtesy of Pieter Kers |
In addition to the main auditorium, the cultural building has a spacious foyer, rehearsal rooms, three studios, storage rooms, dressing rooms, a sewing room, meeting facilities and offices. The building accommodates the four user groups en de dance class of the Amsterdam School of Arts. For all these users the three storeys are arranged. The main auditorium extends to the height of all three storeys and one of the studios is two storeys high.
On the top storey, the bridges for the operation of lighting and set management are integrated into the concrete floor. This is a practical and inexpensive solution that makes the bridges safe and easily accessible.
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| situation plan--drawing © Courtesy of Architectenbureau Paul de Ruiter |
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| site plan--drawing © Courtesy of Architectenbureau Paul de Ruiter |
The design process for the cultural building was full of creativity. This was not just due to the unusual approach, but was also and primarily a result of the way the workshops were organised. Each workshop was held in a different, unconventional theatre, selected each time by one of the users. During a guided tour preceding the workshop, the architect, users and customers were able to analyse the advantages and disadvantages of that particular theatre, and inspiration was gathered for the brainstorming session. This then took place on stage, and on more than one occasion, a performance was given to test the size, functionality and acoustics of the space. There was no question of meeting agendas and minutes; the idea was to give creativity free rein. At most, a list of points was put together at the end of the workshop to act as a basis for the following session. This was an extremely flexible, practically-oriented approach, which resulted in an attractive and multifunctional design.
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| ground floor plan--drawing © Courtesy of Architectenbureau Paul de Ruiter |
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| first floor plan--drawing © Courtesy of Architectenbureau Paul de Ruiter |
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| second floor plan--drawing © Courtesy of Architectenbureau Paul de Ruiter |
As a result of the ample admission of light and the flexible layout, the cultural building offers maximum scope for freedom and creativity. It radiates openness. The building therefore plays an important role in facilitating the development of talent, particularly in children and young people. The regular tenants (Circus Elleboog, the Youth theatre school, the theatre workplace and Krater Theatre) will work together in this building, creating an enormous level of synergy, a melting pot of cultures. A place for debates inspired by the diversity of the southeast district of the city of Amsterdam. To stimulate this interaction even further, the outer wall of the auditorium, most of which runs through the foyer, will be painted with blackboard paint, and chalks will be available everywhere. Visitors, particularly children, will then be free to leave their message, comment or greeting on the wall. The black outer wall of the auditorium also makes the layout of the theatre clear and facilitates the feeling of orientation. It is obvious that this is the dynamic heart of the cultural building.
Description from the Architects:
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| section 1--drawing © Courtesy of Architectenbureau Paul de Ruiter |
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| section 2--drawing © Courtesy of Architectenbureau Paul de Ruiter |
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| section 3--drawing © Courtesy of Architectenbureau Paul de Ruiter |
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| section 4--drawing © Courtesy of Architectenbureau Paul de Ruiter |
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| section 5--drawing © Courtesy of Architectenbureau Paul de Ruiter |
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| section 6--drawing © Courtesy of Architectenbureau Paul de Ruiter |
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| section 7--drawing © Courtesy of Architectenbureau Paul de Ruiter |
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| open massing view--drawing © Courtesy of Architectenbureau Paul de Ruiter |
Project name: Bijlmer Park Theatre
Location: Anton de Komplein 240 1102 DR Amsterdam, Netherlands
Program: Flexible cultural centre for theatre and circus, with theatre hall, studios and offices
Gross Floor area: 2,010 m2
Start design: January 2005
Start construction: March 2007
Completion: March 2009
Volume: 9,281 m3
Volume: 9,281 m3
The people
Client: City of Amsterdam, Stadsdeel ZuidoostProject team: Willem Jan Landman, Dieter Blok0
Delegated client: Ontwikkelingsbedrijf Gemeente AmsterdamUsers: Circus Elleboog, Jeugdtheaterschool Zuidoost, Theater Werkplaats Zuidoost, Krater Theater
Contractor: Bouwbedrijf M.J. de Nijs en zn. Bv
Feed management: A&BM bv, Purmerend
Advisor construction: Arup bv
Advisor installations: Halmos bv
Acoustic advisor: DHV-Dorsser Blesgraaf
Theatre advise: Theateradvies bv
Building costs calculation: Bouwhavens Consultants
Urban design: Rein Geurtsen & Partners bv bureau voor stadsontwerp / mecanoo architecten bv
Photographs: © Pieter Kers
Note>>Location in this map, It could indicate city/country but not exact address.
Note>>Location in this map, It could indicate city/country but not exact address.
